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	<title>Ben&#039;s blog and portfolio &#187; color</title>
	<atom:link href="http://benthinkin.net/tag/color/feed" rel="self" type="application/rss+xml" />
	<link>http://benthinkin.net</link>
	<description>Website design by Ben Gremillion</description>
	<lastBuildDate>Wed, 25 Apr 2012 00:00:51 +0000</lastBuildDate>
	<language>en</language>
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		<title>CSS button recipe</title>
		<link>http://benthinkin.net/articles/html-css/css-button-recipe</link>
		<comments>http://benthinkin.net/articles/html-css/css-button-recipe#comments</comments>
		<pubDate>Tue, 08 Nov 2011 21:22:06 +0000</pubDate>
		<dc:creator>Ben</dc:creator>
				<category><![CDATA[HTML & CSS]]></category>
		<category><![CDATA[color]]></category>
		<category><![CDATA[customizing]]></category>
		<category><![CDATA[gradients]]></category>
		<category><![CDATA[how-to]]></category>

		<guid isPermaLink="false">http://benthinkin.local/?p=395</guid>
		<description><![CDATA[Making clickable text stand out from non-clickable text has been a staple of the web since the web was called the mesh. How do you make a button look <em>tappable</em> &#8212; without graphics? By using CSS3.]]></description>
			<content:encoded><![CDATA[<style type="text/css">
.action-button {
	display: block;
	width: 120px;
	margin: auto;
	padding: 7px;
	text-align: center;
	color: #fff;
	font-size: 15px;
	font-family: 'hevetica neue',helvetica,arial,sans-serif;
	cursor: pointer;
	text-shadow: #145ec2 0 -1px 0;
	background: -webkit-gradient(
		linear, left bottom, left top,
		from(#347ee2), to(#86aceb),
		color-stop(0.5, #347ee2), /* Dark value */
		color-stop(0.5, #548fe5) /* Medium value */
	);
	-webkit-border-radius: 4px; /*  */
	-moz-border-radius: 4px; /*  */
	border-radius: 4px; /*  */</p>
<p>}
.action-button:active {
	background: -webkit-gradient(
		linear, left bottom, left top,
		from(#86aceb), to(#347ee2) /* Gradient colors, inverted. */
	);
	position: relative;
	top: 3px; /* Give it that "depressed button" look. */
}
</style>
<p class="action-button">Tap me</p>
<p>Here&#8217;s a quick style I wrote for creating buttons that look tappable.</p>
<pre><code>.action-button {
	display: block;
	<span class="label-1">width: 120px</span>;
	padding: 7px;
	text-align: center;
	color: #fff;
	font-size: 15px;
	font-family: 'hevetica neue',helvetica,arial,sans-serif;
	<span class="label-2">cursor: pointer</span>;
	text-shadow: <span class="label-3">#145ec2</span> 0 -1px 0;
	background: -webkit-gradient(
		linear, left bottom, left top,
		from(<span class="label-4">#347ee2</span>), to(<span class="label-5">#86aceb</span>),
		color-stop(0.5, <span class="label-4">#347ee2</span>), /* Dark value */
		color-stop(0.5, <span class="label-6">#548fe5</span>) /* Medium value */
	);
	<span class="label-7">-webkit-border-radius: 4px;</span> /*  */
	<span class="label-8">-moz-border-radius: 4px;</span> /*  */
	<span class="label-9">border-radius: 4px;</span> /*  */

}
.action-button:active {
	background: -webkit-gradient(
		linear, left bottom, left top,
		from(#86aceb), to(#347ee2) /* Gradient colors, inverted. */
	);
	position: relative;
	top: 3px; /* Give it that "depressed button" look. */
}</code></pre>
<h2>How it works</h2>
<ul>
<li><span class="label-1">Set the width</span> to whatever fits your requirements.</li>
<li><span class="label-2">For testing in a desktop browser</span>.</li>
<li><span class="label-3">Shadow color</span> should be a shade darker than your <span class="label-4">darkest gradient</span>.</li>
<li><span class="label-5">Lightest color</span>, in this case, pale blue.</li>
<li><span class="label-6">Medium value</span> creates the illusion of a chrome-like reflection.</li>
<li><span class="label-7">For Webkit browsers</span> like Chrome and Safari.</li>
<li><span class="label-8">For Gecko browsers</span> like FireFox.</li>
<li><span class="label-9">For future browsers</span>.</li>
</ul>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Thoughts on applying duotones to data</title>
		<link>http://benthinkin.net/articles/imagery/applying-duotones-to-data</link>
		<comments>http://benthinkin.net/articles/imagery/applying-duotones-to-data#comments</comments>
		<pubDate>Mon, 19 Jul 2010 13:55:04 +0000</pubDate>
		<dc:creator>Ben</dc:creator>
				<category><![CDATA[Imagery]]></category>
		<category><![CDATA[color]]></category>
		<category><![CDATA[how-to]]></category>
		<category><![CDATA[visualization]]></category>
		<category><![CDATA[WDD]]></category>

		<guid isPermaLink="false">http://benthinkin.net/?p=90</guid>
		<description><![CDATA[The ability to tint black-and-white photographs with color has been a staple of photography for decades, and modern image editors make warming and cooling grayscale images a snap. This concept of a steady progression of shades can be used to present information as well.]]></description>
			<content:encoded><![CDATA[<p>
	The ability to tint black-and-white photographs with color has been a staple of photography for decades, and modern image editors make warming and cooling grayscale images a snap. This concept of a steady progression of shades can be used to present information as well.
</p>
<p>
	This technique of tinting digital photos works well for presenting information and can improve usability. Just as a gradient shows a range of colors, a monotone or duotone can be used to show a range of data.
</p>
<p>
	<a href="http://www.webdesignerdepot.com/2010/07/applying-duotones-to-data/"><span>Read the full article I wrote at Webdesigner Depot.</span></a>
</p>
<p>
	<img src="/content_resources/052-duotone-data/critical-point-2.png" alt="using different tones to denote changes in data" /></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Photoshop Curves does more than change highlights and shadows</title>
		<link>http://benthinkin.net/articles/imagery/taking-photoshop-s-curves-beyond-highlights-and-shadows</link>
		<comments>http://benthinkin.net/articles/imagery/taking-photoshop-s-curves-beyond-highlights-and-shadows#comments</comments>
		<pubDate>Tue, 22 Jun 2010 08:56:22 +0000</pubDate>
		<dc:creator>bbb</dc:creator>
				<category><![CDATA[Imagery]]></category>
		<category><![CDATA[color]]></category>
		<category><![CDATA[how-to]]></category>
		<category><![CDATA[photoshop]]></category>
		<category><![CDATA[WDD]]></category>

		<guid isPermaLink="false">http://test.benthinkin.net/uncategorized/taking-photoshop-s-curves-beyond-highlights-and-shadows</guid>
		<description><![CDATA[Photoshop&#8217;s Curves has long been associated with making images brighter or darker. But few people know that it can also change color with greater degrees of control than the Hue/Saturation or Color Balance controls. From slight selection changes to creating great duotones, Curves is a powerful tool to master... if you&#8217;re willing to practice.]]></description>
			<content:encoded><![CDATA[<p>
	Photoshop&#8217;s Curves has long been associated with making images brighter or darker. But few people know that it can also change color with greater degrees of control than the Hue/Saturation or Color Balance controls.
</p>
<p>
	From slight selection changes to creating great duotones, Curves is a powerful tool to master&#8230; if you&#8217;re willing to practice.</p>
<p><p>
	<a href="http://www.webdesignerdepot.com/2010/06/taking-photoshops-curves-beyond-highlights-and-shadows/"><span>Read the full article I wrote at Webdesigner Depot.</span></a>
</p>
<p>
Related: <a href="http://benthinkin.net/articles/fun-with-curves"><span>Examples of coloring with Curves</span></a>
</p>
<p>
<img src="/content_resources/047-how-curves-works/color-cast-2.jpg" alt="" /> <br />
Above: Using Curves to create a precise duotone from a grayscale photo.
</p>
<p>
<img src="/content_resources/047-how-curves-works/how-curves-works.png" alt="" /> <br />
Above: Curves is a grid of <em>before &amp; after.</em> The horizontal axis represents an image&#8217;s current values; the vertical represents change.</p>
]]></content:encoded>
			<wfw:commentRss>http://benthinkin.net/articles/imagery/taking-photoshop-s-curves-beyond-highlights-and-shadows/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Using opacity and Photoshop blend modes pattern magic</title>
		<link>http://benthinkin.net/articles/imagery/opacity-photoshop-blend-modes-pattern-magic</link>
		<comments>http://benthinkin.net/articles/imagery/opacity-photoshop-blend-modes-pattern-magic#comments</comments>
		<pubDate>Tue, 08 Jun 2010 06:33:59 +0000</pubDate>
		<dc:creator>bbb</dc:creator>
				<category><![CDATA[Imagery]]></category>
		<category><![CDATA[color]]></category>
		<category><![CDATA[photoshop]]></category>
		<category><![CDATA[texture]]></category>
		<category><![CDATA[WDD]]></category>

		<guid isPermaLink="false">http://test.benthinkin.net/uncategorized/opacity-photoshop-blend-modes-pattern-magic</guid>
		<description><![CDATA[In searching for interesting patterns, designers sometimes pass over basic shapes in favor of more complex geometrics. But simpler is often better. The trick is to pay attention more to how shapes interact than to how a shape looks on its own. The concepts are simple, but the choices are endless.]]></description>
			<content:encoded><![CDATA[<p>
	When it comes to creating patterns, the ability to duplicate, resize and turn a layer is one of Photoshop&#8217;s greatest features. Translucent shape layers can be very useful when creating repeated geometric &#8220;textures&#8221; of color and form. They&#8217;re easy to create, fun to play with and best of all, they can be uniquely yours.
</p>
<p>
	In searching for interesting patterns, designers sometimes pass over basic shapes in favor of more complex geometrics. But simpler is often better. The trick is to pay attention more to how shapes interact than to how a shape looks on its own. The concepts are simple:
</p>
<ol>
<li>As translucent shapes overlap, they create new shapes.</li>
<li>Complex patterns emerge from apparently simple origins.</li>
</ol>
<p>
	The question&#8217;s been asked: Other than looking pretty, what good is it? Like any tool, the strength of a pattern lies in its application. The examples here show how a pattern emerges from simple shapes and how patterns may be applied to text.
</p>
<p>
	<a href="http://www.webdesignerdepot.com/2010/06/opacity-photoshop-blend-modes-pattern-magic/"><span>Read my article about about creative Photoshop patterns at Webdesigner Depot.</span></a>
</p>
<p>
	<img src="/content_resources/046-pattern-magic/we-speak-mysql.png" alt="creative illustration" />
</p>
<p></p>
<p>
	<img src="/content_resources/046-pattern-magic/circles-at-30-difference.png" alt="creative illustration" /></p>
]]></content:encoded>
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